When I take a picture, I usually do it instinctively, framing something or someone that arouses a particular interest in me, without necessarily understanding why. I produce an image that tells my story, the places I have passed through, the faces I have encountered along the way. Only when I look back at the shots does a delicate balance between the subjects and the point of view emerge in some of them. Through the image itself, I rediscover the reasons why I felt the need to take it. I notice the symmetry or asymmetry between the parts, the contrast between the elements, the fascination with an action in potential form, still unfinished. For an architect, this means doing one’s work in reverse and in a fraction of a second: generating a form before knowing the reasons that led to choosing it as it is.